.jpg)
Halfdan E (Popular Music, Borgen) joins the line-up of the Theme Day Music in TV series. He started his career in music as a bass player in a wealth of different Danish bands in the early 1980s. Since then he composed the scores for more than 60 TV series and films, including the Swedish comedy film Popular Music, the TV series Borgen, Apple Tree Yard, Badehotellet and the films A Somewhat Gentle Man, The Inheritance and The Bouncer. Halfdan is Chairman of the Danish Federation of Film and Media Composers and is a leading campaigner for composers. He takes over the event slot of Mark Snow, who unfortunately had to cancel last minute.
Film Music Concerts: The Emperor’s new Clothes? Interesting times for soundtrack buffs! Ghent, Krakow, Malaga, Tenerife, Vienna, Prague... Film & media music events are popping up all around Europe. The biggest ones are based on concerts and claim to gain awareness for media music, develop new concert practices for orchestras, and bring new audiences to the ivory towers of high culture. But didn’t some wise film music critic tell us, that the best film music is the one that merges with the picture? Treat or threat: How far do concerts change the object of desire? The International Film Music Critics Association IFMCA meets the Preis der Deutschen Schallplattenkritik. With Eleni Mitsiaki (Kinetophone), David Serong (Cinema Musica), Jörg Gerle (filmdienst), talking to film music / concert composer, and mediamusic e.V. board member Gregor Schwellenbach.
In the martial arthouse movie TIGER GIRL, improvised dialogues collide with choreographed fighting scenes. What were the artistic challenges and how do audio post production and music composition differ from “classic” working processes? How was the collaboration of the post production department organised and how were impulses from shooting, editing, sound and music picked up? Manuel Meichsner (sound supervisor, sounddesigner), Valentin Finke (re-recording mixer, dialogue editor) and Golo Schulz (composer, producer) will reply to composer and mediamusic e.V. board member Andreas Grimm.
The Future of Music Formats on TV and Online will be discussed by Fiona Latten (Managing Editor at TVT.media) and the directors Kurt de Leijer and Matthew Millan. With ZDF@Bauhaus, TVT.media won last year's Prize for the SEE THE SOUND Best German Livemusic TV-Show. Kurt de Leijers TV format LeFtO – In Transit, where the viewers can discover the underground scenes of worldwide metropolises, will be screened at SEE THE SOUND, the film festival of SoundTrack_Cologne. Matthew Millans Stronger Than Bullets, a documentary about Libya's music scene during the civil war, will also be screened at SEE THE SOUND.
_______________
SoundTrack_Cologne 14
Programm, Akkreditierung und Tickets // Programme, accreditation and tickets:
www.soundtrackcologne.de