Reporting from Berlin on the 68th edition February 15 -25, 2018
#berlinale I Berlinale 2017 coverage I Berlinale 2016 I Berlinale 2015 I Berlinale 2014 I
________________
Dieter Kosslick will not renew his contract, ending may 2019, as head of Berlinale

Festival Director Dieter Kosslick in response to a letter signed by a group of German directors concerning the future of the Berlinale:
“I can understand that these directors want transparency when it comes to the process of reforming the Berlinale. Its future is a matter of great importance for all us. Minister of State and Federal Government Commissioner for Culture and the Media Prof. Monika Grütters will be in charge of any proceedings.
My contract ends on May 31, 2019. The Supervisory Board has asked me to submit a proposal for the potential restructuring of the Berlinale. I will do so - and this proposal will be totally independent of me personally”.
German Culture Minister Monika Grütters is responsible for the selection of the next director of Berlin film festival.
79 german directors wrote a petition asking for transparency in the process, it was recently published in Der Spiegel.
"The Berlinale is one of the top three film festivals in the world, and the reorganization of the directorate offers the opportunity to programmatically renew and purify the festival, and we suggest that an international gender equality commission be set up The aim must be to find an outstanding curatorial personality who is passionate about cinema, well connected worldwide and capable of bringing the festival on an equal footing with Cannes and Venice into the future a transparent procedure and a new beginning."
German Culture Minister Monika Grütters is responsible for the selection of the next director of Berlin film festival.
Berlinale: Wieland Speck Hands Over His Position as Head of Panorama to Paz Lázaro

Wieland Speck, until now head of the Berlinale’s Panorama section, will in the future be contributing his extensive range of expertise on film to the Berlinale as Consultant of the Official Programme. Starting in 1982, Wieland Speck joined forces with Manfred Salzgeber to build up Panorama (an autonomous section as of 1980, known as “Info-Schau” until 1985) and made its programme one of the most prestigious in arthouse film.
Wieland Speck took over as head of Panorama in 1992. Over the past 25 years he has continually enhanced and fine-tuned the section’s profile as well as brought international recognition to the Teddy Award. Launched with Manfred Salzgeber in 1987, it was the world’s first and, to this day, most important film prize for queer cinema. Speck has curated more than 1800 promising cinematic productions – fiction films, documentary works and short films - and offered them to the public, press and industry for political debate and cinematographic experience.
“I want to thank Wieland from the bottom of my heart for the fantastic job he has done with Panorama. He established a platform for ambitious independent cinema, and successfully positioned it on the international market. I’m especially pleased that he will now be assisting us with his expertise and experience, and programming the Panorama’s 40th jubilee in 2019,” says Festival Director Dieter Kosslick.
Dieter Kosslick has appointed a new team to run Panorama - headed by Paz Lázaro. Together with Michael Stütz and Andreas Struck she will curate the Panorama programme.
All three have worked alongside Wieland Speck for years. Paz Lázaro became programme manager of Panorama in 2006. Michael Stütz, to date responsible for programme coordination, will – in addition to coordinating the Teddy Award – now contribute to shaping the section as programme manager and curator. Andreas Struck, programme advisor at Panorama as of 2006, will now be responsible - alongside his curatorial tasks - for editorial work and communicating the Panorama programme.
German Director Tom Tykwer to Head Up the Jury for the 2018 Berlinale

Berlinale Classics 2018 Presents Das alte Gesetz (The Ancient Law) by E.A. Dupont – World Premiere of the Digitally Restored Ver

Wes Anderson’s Isle of Dogs to Open the 68th Berlinale, his 4th time with a film in Berlin

Berlinale Talents 2018 Is Sharing Secrets

Retrospective 2018 – “Weimar Cinema Revisited”

Berlinale World Cinema Fund: Latest Funding Recommendations

Improvements at the 2018 European Film Market:

All serial formats at the Berlinale to be presented at Zoo Palast in 2018

Berlinale World Cinema Fund: New Funding Nominations

Focus on Canada at coming EFM 2018