Many films attracted the attention of film journalists, distributors and other festivals from all over the world. Examples include the Tiger Award-winner Sexy Durga by Indian director Sanal Kumar Sasidharan, Heleen van Royen’s debut film It Hurts so Much, Affonso Uchoa and João Dumans’s poignant Arábia, We the Workers by Wen hai, as well as the strong American drama Super Dark Times (Kevin Phillips), the Czech Filthy (Tereza Nvotová), the appealing Donkeyote (Chico Pereira) and surprising documentaries such as Bamseom Pirates Seoul Inferno (Jung Yoonsuk), Gimme Danger (Jim Jarmusch) and When Paul Came over the Sea (Jakob Preuss), Manifesto (Julian Rosefeldt) with Cate Blanchett, the tense Home by Belgian filmmaker Fien Troch and Marjorie Prime (Michael Almereyda) featuring actress Lois Smith, were all positively received.
The exceptional Black Rebels programme section with feature films, short films, drama, (music) documentaries, experimental films, science fiction and video art received a great deal of media attention and exceptionally positive responses from both audiences and film professionals.
Distribution
Newsreader for the NOS broadcaster Winfried Baijens presented the third edition of IFFR Live, in which six film titles screened in première in Rotterdam and simultaneously in more than 45 cinemas in 18 different countries worldwide. Thanks to the live stream, Twitter and WhatsApp, the worldwide audiences were able to discuss amongst themselves and with the makers after the film. Pop Aye by Kirsten Tan won the Big Screen Competition, picking up a guaranteed theatrical release in the Netherlands and on TV, alongside the cash prize. Almost all of the big sales agents were present at the festival, resulting in international deals for, among others, Tiger titles Columbus (sales agent Visit Film), Sister of Mine (sales agent Stray Dogs) and Quality Time (sales agent M-Appeal). |