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Bigger, bolder, bloodier…Film4 FrightFest 2015 marks its 16th year with its largest line-up ever. From Thurs 27 August to Mon 31 August, the UK’s leading event for genre fans will return to the Vue West End, Leicester Square to present seventy-six films across five screens, plus a host of special events. There are eighteen countries representing five continents with a record-breaking sixteen European premieres and twenty-six UK premieres. In addition, there is a further ‘Discovery’ strand at The Prince Charles Cinema, signalling a welcome return to FrightFest’s spiritual home.
FrightFest always takes great pride in platforming the brightest British and Irish talent and 2015 is an outstanding year. Apart from opening with David Keating’s CHERRY TREE, there is the world premiere of Steve Oram’s hilarious and very disturbing AAAAAAAAH!, Dominic Brunt’s sharp-edged female revenge saga BAIT, Ben and Chris Blaine’s sexually charged zom-rom-com NINA FOREVER, Mark Murphy’s tale of twisted minds, AWAITING, Paul Hyett’s much-anticipated HOWL, Adam Levins’ sinister family drama ESTRANGED, Howard J. Ford’s pulsating child-abduction thriller NEVER LET GO, Corin Hardy’s Sundance sensation THE HALLOW, Ruth Platt’s morally-challenging chiller THE LESSON, Liam Regan’s gruesome revenge saga BANJO, Eugene McGing’s supernatural haunter THE UNFOLDING and finally AFTERDEATH, a hellish thriller by new directors Gez Medinger and Robin Schmidt.
The Main screens shine brightly with a vivid, stellar mix of the monstrous, the macabre and the must-see. Apart from our closing anthology TALES OF HALLOWEEN and our ‘gorious’ festive attraction A CHRISTMAS HORROR STORY, there is Iain Softley’s cleverly vicious CURVE, Bernard Rose’s stylishly affecting FRANKENSTEIN, Adrian Garcia Bogliano’s masterpiece SCHERZODIABOLICO, Abner Pastoll’s deranged ROAD GAMES, Alistair Legrand’s genre-bending shocker THE DIABOLICAL, Ted Geoghegan’s well-received ghost story WE ARE STILL HERE, Adam Schindler’s agoraphobic SHUT IN, Francois Simard, Anouk Whissell & Yoann-Karl Whissell’s post-apocalyptic romp TURBO KID, Bruce McDonald’s Halloween horror HELLIONS and Levan Bakhia’s explosive LANDMINE GOES CLICK. Plus, the Israeli Paz Brothers put the grim in pilgrimage with JERUZALEM, director Adam Egypt Mortimer gives us his cutting-edge “feminist slasher movie” SOME KIND OF HATE, first-time director Eric Hannezo gives us his version of RABID DOGS, STUNG lets loose a battalion of giant wasps and Australian director Ursula Dabrowsky bring us her highly unusual shocker INNER DEMON. Completing the main screen mayhem is splatstick psycho-thriller DEATHGASM, suburban shocker SLUMLORD, the brilliantly unnerving EMELIE, the stark, gore-filled NIGHT FARE and JAMES WAN’S DEMONIC.
Embracing the ever-burgeoning independent arena, this year’s increased number of films in the Discovery Screens illustrates the growing global investment in the genre. From Australia and France, Mexico and Russia, Argentina and Peru, FrightFest showcases the most electrifying examples, including world premieres for Jaron Henrie-McCrea’s CURTAIN, Russell Friedenberg’s WIND WALKERS, Padraig Reynolds’ WORRY DOLLS and Benjamin Moody’s LAST GIRL STANDING. There are European premieres for Ben Cresciman’s SUNCHOKE, Kyle Rankin’s NIGHT OF THE LIVING DEB, Valentin Javier Diment’s THE ROTTEN LINK, John Fallon’s THE SHELTER, Adam Mason’s HANGMAN and Brian James O’Connell’s BLOODSUCKING BASTARDS. UK premieres score highly too with Mickey Keating’s POD, Perry Blackshear’s THEY LOOK LIKE PEOPLE, John Knautz’s GODDESS OF LOVE, Anthony DiBlasi’s MOST LIKELY TO DIE, Alberto Marini’s SUMMER CAMP, Rodney Ascher’s THE NIGHTMARE, Zak Hilditch’s THESE FINAL HOURS, Pavel Khaleev’s III, April Mullen’s FARHOPE TOWER, Jeffrey Lando’s SUSPENSION, Isaac Gabaeff’s monster mash-up THE SAND, Eduardo Schuldt’s Peruvian horror THE ENTITY, Tyler Shields’ feature film debut FINAL GIRL 14 year-old French director Nathan Ambrosioni’s HOSTILE, Takashi Miike’s OVER YOUR DEAD BODY, David Gelb’s THE LAZARUS EFFECT, Dan Berk & Robert Olsen’s BODY, Isabel Coixet’s ANOTHER ME, Chad Archibald’s BITE, Joe Chien’s ZOMBIE FIGHT CLUB, and Josh Forbes’ CONTRACTED: PHASE II. There is also a special screening for Paul Goodwin’s FUTURE SHOCK! THESTORY OF 2000AD. This selection is bound to cause much heated debate and ecstatic discussion.
If the Discovery Screen Strand has increased in popularity, so has the Retrospective selection. This year audiences will be able to discover an eclectic programme straddling grindhouse to art-house with brand new restorations of the classic HELLRAISER, the giallo masterpiece YOUR VICE IS A LOCKED ROOM AND ONLY I HAVE THE KEY, the exploitation duo MADMAN and THE MUTILATOR, the cult Hammer Horror CAPTAIN KRONOS: VAMPIRE HUNTER, the high camp HAWK THE SLAYER and the high-end horrors TENDERNESS OF THE WOLVES and THE REFLECTING SKIN.
Plus the Duke Mitchell Film Club is back with a rare screening of REMAKE, REMIX, RIP-OFF a crazy experience of the golden years of Turkish cinema, where demand was high, technical know-how low and copyright law non-existent! And the popular Duke @ Frightfest Film party is back too
This year’s other special events, the growing guest list and the expanded Short Film Showcase entries will be announced in the coming weeks. .
Alan Jones, Festival co-director, said today: “It is with great pride that we announce the line-up for the UK’s biggest, best and most renowned genre festival which is now a globally recognised brand. Our sixteenth year sees yet another enhancement of its core mission to bring the finest in home grown and international fear to the dark heart of London’s West End.
Embracing everything outstanding about the horror fantasy genre, whether it be from mainstream mayhem or director’s daydream to quirky independents and major talent detection, the Temple of Terror that is Film4 FrightFest returns with a vengeance to the flagship Vue Cinema in London’s Leicester Square”.
Julia Wrigley, Head of Film4 Channel, added: ““The relationship with FrightFest is extremely important to Film4 – the channel has always been committed to bringing our audience the very best in horror, so joining forces with such a major genre event keeps us connected to the fans and filmmakers who generate all the excitement. We try to capture that in our annual FrightFest season and weekly Saturday Night Shocks strand, but it’s what the team create in a festival setting that keeps us coming back as title sponsors. This year we’re thrilled to be a part of the weekend itself thanks to a new Channel 4/Film4 short-film scheme and to be starting what we hope will be an ongoing debate with our new website feature bringing together the best horror films of the century so far, voted on by a panel of experts. Ultimately, FrightFest is always a huge inspiration whenever we think about horror at Film4.”
Festival and day pass sales will go on sale Sat 4 July at noon and will only be available online at: https://live.advancedticketing.co.uk/k?v=frightfest
Single tickets will go on sale on Sat 25 July.
A festival pass will cost £185. Day passes are: Thursday £30, Friday & Saturday £60, Sunday & Monday £50. Single tickets will be £13.25.
Screens 5, 6 & 7 will house the main event while the Discovery strands will play in Screens 3 & 8. The Discovery at The Prince Charles cinema strand will be in Screen 1.
For full programme details go to: www.frightfest.co.uk
Follow: @film4frightfest @cloutcomcouk
Dubbed “the Woodstock of Gore” by director Guillermo Del Toro, FrightFest was created in 2000 by film producer Paul McEvoy, journalist and broadcaster Alan Jones and film distributor/booker Ian Rattray. Greg Day, the festival’s long standing PR, became a joint director in 2007. From its cult roots at the Prince Charles Cinema it has grown to become one of the genre’s most vibrant, credible and recognisable brands, helping to launch the careers of directors such as Simon Rumley, Christopher Smith, Eli Roth, Neil Marshall and Simon Hunter. Apart from the annual 5-day event in London, FrightFest has an ever-growing strand at the Glasgow Film Festival, hosts a nationwide Halloween horrorthon and showcases special screenings throughout the year. It recently teamed up with Icon Films Distribution to release FrightFest curated films under the banner ‘FrightFest Presents’.
Film4 Channel. Film4 Channel, Channel 4’s free-to-air film channel, is the UK’s number one film channel. It screens a mix of major Hollywood and British films, independent and world cinema, timeless classics and cult favourites as part of an innovative schedule that features regular themed strands and seasons – ‘Great films you know, great films you don’t’. It also showcases the films made by Film4 Productions, including ’71, Under the Skin, Starred Up, A Field in England and Ex_Machina.
From its inception in May 2003, Vue became a worldwide operator and developer of modern, innovative multiplex cinemas. With the acquisition of Apollo Cinemas and the takeover of CinemaxX (Germany and Denmark) in 2012, the acquisition of Multikino (Poland, Latvia and Lithuania) in 2013, and most recently Space Cinemas (Italy) in 2014, Vue International today is the 5th largest exhibitor in the world operating 1,741 screens at 187 state-of-the-art multiplex cinema locations in 9 countries, namely the United Kingdom, Ireland, Germany, Denmark, Poland, Latvia, Lithuania, Italy and Taiwan. The company is well known today for providing an unparalleled big screen experience combined with the best choice of content delivered by the best technology on the market.
Bigger, bolder, bloodier…Film4 FrightFest 2015 marks its 16th year with its largest line-up ever. From Thurs 27 August to Mon 31 August, the UK’s leading event for genre fans will return to the Vue West End, Leicester Square to present seventy-six films across five screens, plus a host of special events. There are eighteen countries representing five continents with a record-breaking sixteen European premieres and twenty-six UK premieres. In addition, there is a further ‘Discovery’ strand at The Prince Charles Cinema, signalling a welcome return to FrightFest’s spiritual home.
To mark a decade of bringing the best surfing films to Durban, the Wavescape Surf Film Festival has announced a record lineup of 23 movies over a week at the 36th Durban International Film Festival, which takes place from July 16 to 26.
As Official ‘Festival-Time’ Partner and ‘Supporting’ Sponsor of the Dubai International Film Festival (DIFF), Swiss luxury watch manufacturer IWC Schaffhausen today announced that submissions are now open for the highly anticipated fourth annual IWC Filmmaker Award, to be presented on 10 December in Dubai.
Simon Boswell (born in London in 1956) has left an indelible mark on horror genre through numerous memorable and now-classical scores from the 1980s and 1990s in which he combined electronic elements with orchestral instruments.
Concorso internazionale