May 26-27, 2017
Paris
April 21, 2017
New York
January 29, 2017
Denver
January 6-7, 2017
Kranjska Gora, Slovenia
Established twenty years ago, UNAFF celebrates the power of films dealing with human rights, environmental themes, population, migration, women’s issues, refugees, homelessness, racism, health, universal education, war and peace. UNAFF offers a unique opportunity to view documentaries that are rarely screened, to become familiar with global problems, and to acquire a better understanding of the means to address these problems.
Documentary - Features |
This year’s theme RESPECT continues our two decades long celebration of the Universal Declaration of Human Rights with the reminder that it applies to everyone. |
Documentary - Shorts |
This year’s theme RESPECT continues our two decades long celebration of the Universal Declaration of Human Rights with the reminder that it applies to everyone. |
20th UNAFF (UNITED NATIONS ASSOCIATION FILM FESTIVAL
October 19-29, 2017 Palo Alto, East Palo Alto, San Francisco and Stanford University - celebrates the power of international documentary films dealing with human rights, the environment, refugees, famine, homelessness, racism, disease control, women's issues, children, universal education, war and peace.
This year’s theme RESPECT continues our two decades long celebration of the Universal Declaration of Human Rights with the reminder that it applies to everyone.
UNAFF was established in 1998 to celebrate the fiftieth anniversary of the signing of the Universal Declaration of Human Rights. It was founded by Stanford educator and film critic Jasmina Bojic. UNAFF, whose theme for this year is “RESPECT", is an international documentary film festival held from October 19-29 2017 in Palo Alto, East Palo Alto, San Francisco and Stanford University.
As one of the oldest solely documentary film festivals in the US, UNAFF has grown and earned the respect of audiences and filmmakers alike for its fearless independence and integrity. In addition to providing early outlets for films, many of which later went on to win major awards and accolades, UNAFF prides itself in creating a community forum for discovery and dialogue about different cultures, issues and solutions.
Each year that the UNAFF has been held, the festival has screened films from all over the world - Asia, the South Pacific, Africa, Europe, the Middle East, and the Americas. The festival has attracted a broad audience with regards to ethnicity, many finding the screenings to be a rare chance to see the state of human rights and culture in their own native countries. Last year UNAFF jurors carefully reviewed over 700 submissions. Our final program consisted of 60 films related to issues from almost 60 countries.
UNAFF screened some of the most awarded and talked about documentaries in the industry including seven that went on to win Academy Awards ("Panama Deception,""Thoth", "The Blood of Yingzhou District", "Freeheld", "Taxi to the Dark Side", "Inocente" and "Saving Face") and thirty that were nominated ("Regret to Inform", "Genghis Blues","Long Night's Journey Into Day", "LaLee's Kin: The Legacy of Cotton", "Promises", "Daughter from Danang","When Abortion was Illegal", "Twist of Faith", "God Sleeps in Rwanda", "War /Dance", "Trouble The Water", “Salim Baba”, “The Garden”, “Burma VJ”, “China’s Unnatural Disaster – The Tears of Sichuan Province", "The Most Dangerous Man in America: Daniel Ellsberg and the Pentagon Papers", "Rabbit a la Berlin", "Gasland", "Killing In the Name", "Which Way Home", "Waste Land", "The Barber of Birmingham: Foot Soldier of The Civil Rights Movement" and "Karama Has No Walls", "Facing Fear", "King’s Point", "Prison Terminal: The Last Days Of Private Jack Hall", "White Earth" and "Dirty Wars", "The Poster Girl" and "Last Day of Freedom").
Documentaries often elicit a very personal, emotional response that encourages dialogue and action by humanizing global and local problems. To further this goal, UNAFF hosts academics and filmmakers from around the world to discuss the topics in the films with the audience, groups and individuals who are often separated by geography, ethnicity and economic constraints.
Apart from bringing the best international documentaries to our audiences during the festival days each October, we have developed multiple year-round programs which engage a growing segment of our community. Our popular “UNAFF Traveling Film Festival” has taken place in San Francisco, Berkeley, Monterey, Santa Cruz, Davis, Saratoga, Sonoma, Sebastopol, San Diego, Las Vegas, Los Angeles, Salt Lake City, Honolulu, Philadelphia, Chicago, Washington DC, New York, Burlington, Bellevue, Miami, La Crosse, Fryeburg, Houston, Denver, Chapel Hill, Durham at Duke University, New Haven at Yale University, Waukesha at University of Wisconsin, Boston and Cambridge at Harvard University and internationally in Paris, Venice, Belgrade, Phnom Penh and Abu Dhabi. Through “UNAFF and Kids” and “UNAFF in Schools” programs we have devoted our attention to the young and to the wiser among us with the “UNAFF for Seniors”. The “UNAFF Panels” program provides a platform for some of the best experts addressing challenging topics and our “UNAFF Café” maintains a steady supply of interesting films and informal discussions. “UNAFF Archive” offers a plethora of research material for students of film, politics and international relations, "UNAFF With Veterans" brings documentaries to veterans and their families and
"UNAFF Women Salon" is targeting women who may, may not otherwise find time for the regular screenings, in environment which encourages active discussion and engagement.
UNAFF gives five cash awards: the UNAFF Grand Jury Awards for Best Documentary, Best Short Documentary, UNAFF Youth Vision Award, UNAFF/Stanford Video Award for Cinematography and UNAFF/Stanford Video Award for Editing.
We are proud that UNAFF has twice won the WAVE Awards for best promotional trailer and the prestigious Earl W. Eames Award for innovatively combining new technologies with traditional media. As an acknowledgment of the 10th anniversary, UNAFF received the “Community Treasure Award” from Stanford University President John Hennessy for its contribution in promoting dialogue and education about different cultures and issues. For the last fourteen years the Mayor of Palo Alto has proclaimed the festival days as UNAFF Week, consistently recognizing the significance that UNAFF has for the community. Most recently, UNAFF received the prestigious Academy Foundation Grant for the “UNAFF and Kids” program, which will have its eight presentation this year.
Dear filmmakers friends do not miss these Festivals in Focus.
Established twenty years ago, UNAFF celebrates the power of films dealing with human rights, environmental themes, population, migration, women’s issues, refugees, homelessness, racism, health, universal education, war and peace. UNAFF offers a unique opportunity to view documentaries that are rarely screened, to become familiar with global problems, and to acquire a better understanding of the means to address these problems.
Filmmakers who would like to get their short film qualified for the 2018 Academy Awards are urged to enter this year’s MANHATTAN SHORT Film Festival, which will not only screen to over a 100,000 film buffs in over 250 cinemas across six continents, but will do a full week's run in one cinema in the county of Los Angeles. This theater booking means every film selected as a Finalist in the 2017 MANHATTAN SHORT Film Festival is eligible to enter the Oscar competition for 2018. MANHATTAN SHORT is now in compliance with the rules governing the Oscar Awards set forth by the Academy of Motion Pictures of Arts and Sciences (AMPAS).
Click to enter: http://www.manhattanshort.com/film-entry.html
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Judges from HBO, Marvel, Emmys, Grammys, Oscars and other Industry Leaders
Each entry is considered for Screening, Competition ($45k in awards) and Distribution Opportunities.
Quotes:
“If the TED Conference is where technology, entertainment and design meet in a broad forum, then the New Media Film Festival is its cinematic counterpart.” – VG
"I thank the New Media film festival for what they've done for young filmmakers."– Legendary Director Roger Corman
"Top 25 Festivals Worth The Entry Fee" - Movie Maker Magazine
"Makes the cutting edge accessible" - Huffington Post
Email I + 1 310-288-1100 I Website I Facebook I Twitter I Past Winners I SUBMIT
The submissions for the 4th edition of the World of Film International Festival in Glasgow, Scotland are now open. The very earlybird submitters can send their short and feature films across the three main sections of the festival - First Features & Shorts Competition, Female Perspective & Focus on Balkan Cinema.
Films can be exclusively submitted via Film Freeway by clicking on the link below.
Email I Website I Facebook I Twitter
Montreal International Animation Film Festival is a people's film festival an dindutry conference dedicated to the art of animation for film and technology.
All genres and forms are welcome.
Software an award prize. Visibility in out travelling show in Berlin, Cannes Annecy, Glasgow and more.
Animaze - Montreal International Animation Film Festival's blog I Website I Submit I Facebook I Twitter I Contact Laurie Gordon
Submit your best short animated films for a screening May 23rd at Cannes Film Festival.
Enjoy industry visibility in front of the animation professionals attending Cannes during Animation Day in Cannes (second edition). take advantage of free promotion to buyers and media on our Animation Day in Cannes Newsletters, animation Day in Cannes website, filmfestivals.com pages dedicated to Animation Day in Cannes and our Youtube channel, which will be offered for buyers and Media.
Info I Submit Now I Website I Facebook I Twitter I Contact Laurie Gordon
ATTENDING CANNES? List in the catalog your animation titles in Cannes: shorts, features, work in progress, scripts.
We will build with your entry in our online bumper issue of animation in Cannes and offer strong promotion and visibility in front of the gathered industry key players (buyers, media and fellow producers...).
RESERVED TO FILMMAKERS ATTENDING CANNES WITH THEIR PROJECT OR REPRESENTED BY A SALES AGENT
Your entry will get you inside the ONLY CATALOG OF ANIMATION IN CANNES and WHO'S WHO.
We will publish these on our websites and blast invites to media and buyers in Cannes to browse them.
We will also publish a Who's Where PDF offering your details (those you are happy to share) to potential partners of yours.
So make sure to edit your details once you know them (cannes cell number)
SCREENING of winning selection takes place May 23rd at Palais des Festivals
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MORE FESTIVALS CALLING
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DEADLINES APPROACHING FAST: Browse by dates, genre... in the search engine
THE DISCOVERY SECTION Browse our site for other festival calling now.
Add a film listing to your profile, your free entry in the film directory on filmfestivals.com
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PROMOTE YOUR FILM AND GET READY FOR THE FESTIVAL CIRCUIT.
We can offer Festival consulting and marketing services to fit your film ambitions.
- The 500€ Festival Fast Track
The Festival Fast Track service offers you a presence in the film showcase page with links and video streaming. The Film promotion Showcase is a combination of online services, (charged 500€ or about $690) that will bring recognition from our international audience who trust us as the only international media totally dedicated to the festival circuit. The Film promotion Showcase includes all those features:
- Film directory Database listing of your film. Ready for a quick initial evaluation.
- Your film and logo featured on the Showcase Section (linked from all pages) to highlight the film blog itself (example here) including a dedicated page.
- Newsletter messages: 2 runs to our newsletter audience of 125 000 (4 lines) sample
- Editorial on filmfestivals.com about your film, 1 article guaranteed.
- One week long banner campaign on our sites. 728X90 pixels
- And we include your film in our monthly blast to festival programmers and other festival staffers
- The 350€ Film Showcase Booster
The package includes the previous packages benefits less the banner campaign.
- The 150€ Filmmakers Showcase Eblast to festival Programers
The package and includes your ad in the eBlast with 4 lines promo : visual, title, link to trailer, synopsis 190$ 150€
We can also brainstorm with a range of packages include your film blog promotion with banners and newsletter ads
We can also discuss a Cannes presence as we are a regular partner of Cannes Market.
We can work with you on a consulting basis around a viral campaign
We help some filmmakers and assist them in the Festival Circuit designing the strategy, handling festival submissions, waiving submission feees, negotiating screening fees...
Just ask me bruno@m21entertainment.com
Rather than pushing to scores of festivals let the film be noticed AND asked for by Fest directors?
Look for publishing help here: http://www.filmfestivals.com/en/blog/filmfestivals/register_a_film
Check the 10 good reasons to open a blog on filmfestivals.com.
Happy new year and good luck for your film...
The Filmfestivals.com team
Kind regards
Bruno Chatelin
The 2017 NAB Show will feature Global TV Tech Day, a new, day-long program that explores emerging media technologies from the perspective of the world’s leading media standards development organizations, industry forums and key implementers. Produced by PILOT and open to all attendees, Global TV Tech Day will take place Saturday, April 22 in room N260 of the Las Vegas Convention Center.
“The standards driving TV innovation are constantly evolving,” said NAB Executive Vice President of Technology Sam Matheny. “Global TV Tech Day will address the current technological landscape and emerging developments influencing major aspects of the television industry.”
A series of five sessions will provide updates on significant breakthroughs and developments on topics such as IP standards for media production facilities; IP-to-cloud broadcast interoperability; High Dynamic Range (HDR) video; Virtual and Augmented Reality (VR/AR); an MPEG 5-year roadmap and the MPEG-I standard; the continuing emergence of UHD; Korea’s launch of Next Gen TV technology; and standards for global OTT video.
Examples of participating organizations include the Inter-SDO Group, SMPTE, JT-NM, AIMS, MPEG, Ultra HD Forum and CTA.
The complete Global TV Tech Day session schedule is available here.
News media registration is available here.
About NAB Show
NAB Show, held April 22-27, 2017 in Las Vegas, is the world's largest convention encompassing The M.E.T. Effect, the convergence of media, entertainment and technology. With 103,000 attendees from 166 countries and 1,700+ exhibitors, NAB Show is the ultimate marketplace for solutions that transcend traditional broadcasting and embrace content delivery to new screens in new ways. From creation to consumption, across multiple platforms and countless nationalities, NAB Show is where global visionaries convene to bring content to life in new and exciting ways. For complete details, visit www.nabshow.com.
This year's Tribeca Film Festival is another a great opportunity to see some great films, join some exciting discussions about movies, and even to rub shoulder with some of your favorite celebrities.
The Festival was founded by Robert De Niro, Jane Rosenthal and Craig Hatkoff in 2001 to spur the economic and cultural revitalization of lower Manhattan following the attacks on the World Trade Center. With strong roots in independent film, the annual event has evolved into a destination for creativity, reimagines the cinematic experience, and explores how art can unite communities.
The festival will run from April 19th through the 30th.
Mustafa ÖNDER
Action KINO!
1. Ausgabe des Deutsch-französischen Kurfilm-Festiavls
Anlässlich der 30-jährigen Städtepartnerschaft zwischen Berlin und Paris organisiert das Info-Café Berlin-Paris ein Kurzfilm-Festival für junge Regisseure.
Die Filme werden zwischen dem 7. und dem 9. Juni auf dem Festival Action Kino! in Berlin gezeigt. . Ob Dokumentations-, Fiktions- oder Experimentalfilm – wir suchen aufstrebende junge Talente, die dahinterstecken.Nutzt die Gelegenheit, euren Film einem multikulturellen Publikum zu präsentieren, neue Kontakte zu knüpfen und einen Bezug zu französischen Regisseuren zu gewinnen.
Nutzt die Gelegenheit, euren Film einem multikulturellen Publikum zu präsentieren, neue Kontakte zu knüpfen und einen Bezug zu französischen Regisseuren zu gewinnen. Wir freuen uns auf eure Filme!
Anmeldung hier bis zum 2. Mai.
Teilnahmevoraussetzungen:
ihr seid zwischen 18 und 30 Jahre alt
Euer Kurzfilm muss sich mit Berlin oder Paris beschäftigen
Frühestens 2015 gedreht
Untertitel in der Sprache des Films (deutsch) oder in der Partnersprache (französisch). Diese Voraussetzung kann auch erst nach bestätigter Auswahl des Films erfüllt werden.
Wir freuen uns auf eure Filme!
Das Action KINO! Team
actionkino@dfjw.org
Info-Café Berlin-Paris
https://infocafe.dfjw.org/de/
Molkenmarkt 1, 10179 Berlin
Tel. : +49 30 28 87 57 50
The tag line for Independent Film Festival Boston 2017 is “It Stays With You”. In my case, that is certainly true. You’ll see what I mean in a bit. First, some back story.
A year ago Sunday, I was in the latter stages of moving. My then-landlord was… not the best at maintenance, to be charitable. The house was near the beach, which meant you had to keep an eye on the wood weathering from the salt air. The front door threshold had been in need of repair for a couple of years.
On this particular Sunday, I was coming down the stairs with my hands full and only a dozen or so boxes left upstairs. Almost done. As I shifted my weight to my left foot on the threshold, the rotting wood at long last failed and sagged beneath me. With no way to catch myself (hands full), my leg folded up like a carpenter’s ruler and I spilled out face first onto the front porch, half in and half out of the house.
While my girlfriend (Lisa) and our neighbor (Greg) rushed over from the basement and his yard, respectively, I rolled over and dragged my legs onto the porch. My left leg showed a dramatic difference in height between my kneecap and my thigh. I knew instantly that either my kneecap was seriously dislocated, or I had snapped my quad tendon, letting all that muscle meat roll up towards my hip, like a rubber band released at one end. A quick flex of my foot ruled out dislocation, because I didn’t scream or black out when I did it. OK. So, “quad tendon” it is…
Fortunately, I was able to remind Lisa where she could find some crutches in the basement that we hadn’t moved yet, and I was able to get down the stairs from the porch to the driveway. That was easy enough that I foolishly thought “I might be OK” and tried to put some weight on my injured leg. Really, really bad idea. Quite painfully bad, in fact. Note to self: Don’t do that again. The three of us managed to get me into the passenger seat of Lisa’s car and she drove me to Massachusetts General Hospital.
After several hours in the emergency room, I was told what I already knew. I had a ruptured quad tendon that would need reattachment surgery. As they were explaining the options, I interjected “tomorrow”. “Are you sure?” “What could I possibly have to do that is more important than re-connecting my leg? I want you to fix it before it knows it’s broken.” As luck would have it, the Chief of Ortho Trauma Surgery was on call the next morning. This is the kind of guy that gets shipped to Haiti to deal with mass casualties after an earthquake. One of the best of the best would be knitting my body back together.
As I lay there in the hospital bed Sunday night, awaiting early morning restoration of my ability to flex my leg on command, I thought: “IFFB opens in three days. That’s a tight window.” I kid you not.
“Let’s see… Surgery Monday. Post-surgical observation for 24-hours. Release Tuesday. That should give me time to adjust to the crutches and be at IFFB for Wednesday night. I’ll have to take the T (Boston’s subway) because I can’t drive (my car is standard, and I can’t work the clutch without a functioning left leg) unless I can get Lisa to drive me.”
I was assuming that I could have my leg explode internally one day, have it opened up, stretched, drilled (tendon has to go into the kneecap), and stitched back together the next, and then go back to life on the third day as if nothing had happened.
I blame the morphine…
Surgery went well Monday and it looked as if I would be all set by Tuesday morning. Somehow, after Tuesday rounds, a box didn’t get checked that said “release the Kraken” (me being the Kraken here), so the case manager thought it best to keep me another night to be safe. We could check with the surgeons the next morning to verify that I was OK to go home.
My first thought? “Crap! If I don’t get released until Wednesday, there’s no way that Lisa’s going to drive me straight from MGH to Opening Night!” (Because, you see, she’s not insane.)
“Hey… are you sure I have to stay another night…?” So, yes, I was – in the moment – prioritizing a successful surgical outcome behind the slimming chance of my getting to IFFBoston Opening Night.
Again, I’m assuming there was morphine involved.
Wednesday did bring departure, but it took until the afternoon just as rush hour was starting. From the back seat of Lisa’s car (where I could keep my leg straight by sitting sideways) I offered: “I don’t suppose you’d drive me to Somerville for IFF…” She shot me a look in the rear view. “Yeah… probably best to just go home.” Once home, I spent the next couple of days learning to navigate my house, dog, hygiene, nutrition, and sleep with only one leg and my hands full of crutches whenever I wasn’t seated.
By Saturday, Lisa took pity on me. She drove me first to Somerville to pick up my badge, then to Brattle to see Ian Cheney’s latest doc, Bluespace. I had seen his prior films The Greening of Southie (2008), The City Dark (2011), and The Search for General Tso (2014) all at IFFBoston in past years (I think I caught King Corn (2007) elsewhere), so I was happy to keep the set intact at least.
With the help of various friends, I was able to catch a handful of other films throughout the rest of the IFFB 2016, including:
I also got the experience of seeing the IFFB – and, in the following months, the world – through a different set of eyes. I got to walk in someone else’s shoes while only using one leg.
I learned where all of the accessibility features (ramps, elevators, seating, …) are in the various theaters – and then on mass transit, office buildings, airplanes, and so on. I found how considerate most people seem to be - offering a seat, a spare set of hands, a ride, or even just personal space – despite the blue-screen-assisted self-absorption characteristic of the times. Where I used to favor aisle seats that left my right arm free to write without poking a neighbor, I now reflexively grab the seats across the aisle that let me stretch my left leg, which still doesn’t like being in one position for the length of a film. The gentle easing into my new, if short-lived, state of life in friendly surroundings was quite helpful.
What was also telling was the absence of so much of what I look forward to at this time of year every year for the last decade or so. The missing of it. I didn’t get to walk from screening to screening. I didn’t get to race by T or car from Somerville to Brattle and/or back. I didn’t get to spend the six weeknights and every waking weekend hour awash in films and friends – and popcorn and frozen Kit Kats. The drive to not miss out completely was compelling enough that, literally (literally literally, not figuratively "literally"), the first thing I did after the injury that was voluntary was go to IFFBoston.
All of this has stayed with me for the last year, as I have ached and healed and learned to walk again with still-diminishing limp.
As the clock ticks down to Opening Night of IFFBoston 2017, I can’t express any better than I have above what it will mean to me to walk – to make the pilgrimage - into the Somerville Theater tonight.
On my own two feet.
Maybe I’ll see you there.
The 15th edition of the Independent Film Festival Boston runs from April 26 – May 3, 2017. Details can be found at iffboston.org.
Ask filmfestivals.com to receive a unique promo discount code, exclusive to our readers! New York Edition April 27 - 28, 2016 Santa Barbara November 19 - 21, 2016
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Second Short Sketch Comedy Session!
Our first Short Sketch Comedy session sold out, so we're bringing you another on Day 1 of the festival!
Visit http://bit.ly/2qjhjxB to check out the sketches and get tickets!
Wishing you all much success on the festival circuit!
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www.summerhillfilms.com / www.tomcatfilmsllc.com / Ted Chalmers / ted@summerhillfilms.com / ted@tomcatfilmsllc.com
Established twenty years ago, UNAFF celebrates the power of films dealing with human rights, environmental themes, population, migration, women’s issues, refugees, homelessness, racism, health, universal education, war and peace. UNAFF offers a unique opportunity to view documentaries that are rarely screened, to become familiar with global problems, and to acquire a better understanding of the means to address these problems.
Register for our competition of shorts ANIMAZE DAZE IN CANNES I Submit on filmfreeway I 2016 Selection
Register for a presentation of your Work in Progress in front of buyers and animation profesionnals. I 2016 Presentations I Venue Palais B screening 1.30pm MAY 23
Enter your animation in Cannes in the Animation Catalog (who's who in Cannes for animation) I Submit on filmfreeway I View 2016 Edition
Check the video channel of animation shorts and features in Canness: 2017 Channel of trailers I 2016 Channel I
Enter the winners Channel 2017 Channel of trailers of festival winners I 2016 Channel I Submit on Filmfreeway
Promote your animation in our animation newsletter: share your project and strategy and ask for a quote from our team of Cannes experts (30th attendance of your consultants, take advantage of Bruno Chatelin's studio experience, running Sony and Fox in France)
Filmmakers who would like to get their short film qualified for the 2018 Academy Awards are urged to enter this year’s MANHATTAN SHORT Film Festival, which will not only screen to over a 100,000 film buffs in over 250 cinemas across six continents, but will do a full week's run in one cinema in the county of Los Angeles. This theater booking means every film selected as a Finalist in the 2017 MANHATTAN SHORT Film Festival is eligible to enter the Oscar competition for 2018. MANHATTAN SHORT is now in compliance with the rules governing the Oscar Awards set forth by the Academy of Motion Pictures of Arts and Sciences (AMPAS).
Click to enter: http://www.manhattanshort.com/film-entry.html
I Website I Submit I Facebook I Twitter I Contact Nick Mason
The submissions for the 4th edition of the World of Film International Festival in Glasgow, Scotland are now open. The very earlybird submitters can send their short and feature films across the three main sections of the festival - First Features & Shorts Competition, Female Perspective & Focus on Balkan Cinema.
Films can be exclusively submitted via Film Freeway by clicking on the link below.
Website I Facebook I Twitter I Email I SUBMIT
Montreal International Animation Film Festival is a people's film festival an dindutry conference dedicated to the art of animation for film and technology.
All genres and forms are welcome.
Software an award prize. Visibility in out travelling show in Berlin, Cannes Annecy, Glasgow and more.
Animaze - Montreal International Animation Film Festival's blog I Website I Submit I Facebook I Twitter I Contact Laurie Gordon
Submit your best short animated films for a screening May18th at Cannes Film Festival.
Enjoy industry visibility in front of the animation professionals attending Cannes during Animation Day in Cannes (second edition). take advantage of free promotion to buyers and media on our Animation Day in Cannes Newsletters, animation Day in Cannes website, filmfestivals.com pages dedicated to Animation Day in Cannes and our Youtube channel, which will be offered for buyers and Media.
Info I Submit Now I Website I Facebook I Twitter I Contact Laurie Gordon
"They were forced beyond breaking point; they have no regrets, does that make them bad people? The first part of this film will enrage you ! The second part will sate you !". Bruno Chatelin - Filmfestivals.com
A retired couple, Bernard and Helen Martin, inherit a remote house in rural France, the very same village Bernard’s war hero father liberated during the Second World War, over 70 years earlier. This peaceful couple quickly become the target of a crual gang of street kids, who terrorise the village.
An e-generation permanently plugged into their devices, devoid of empathy, a new breed of technological psychopath…Pushed beyond breaking point, can Bernard live up to his father’s legend, as the situation explodes into a brutal war of generations ?
Website I Festival Bookings I Facebook I Contacts @ Production I Synopsis I Trailer I Poster
Eco Documentary feature film by Rob Stewart April 2015, 82 minutes (Sharkwater)
Revolution is a film about changing the world. The true-life adventure of Rob Stewart, this follow-up to his acclaimed SHARKWATER (36 festival wins) documentary continues his remarkable journey; one that will take him through 15 countries over four years, and where he'll discover that it's not only sharks that are in grave danger -- it's humanity itself.
Website I Epk on filmfestivals.com I Trailer I Email us for a screener
Filmfestivals.com was established 1995 as world reference in this niche, we are proud of our track record in helping festivals attract more legitimacy, visibility and film submissions from our large base of international film professionals (370 000 unique filmmaker visitors each month), 159 500 subscribers to the newsletter. ONE TIME OFFER We suggest this quick one month booster program for your call for entry including with 4 newsletter ads, your call for entry promoted one month lon...
Fort d'une expérience acquise dans la distribution de films pour deux Majors (Sony et Fox mariée sous a direction avec UGC) Bruno Chatelin propose une expérience pointue au service de votre stratégie digitale à Travers sa structure de Conseil MAJOR BUZZ FACTORY Le fondateur Bruno Chatelin : un Professionnel de la communication entouré de spécialistes, son expérience est ancrée sur trois univers La publicité, Le mark.eting et le digital.
The film depicts how the Iranian families were in crisis because of the economic problems and the lack of money during the presidency of Dr Ahmadinejad and Iran’s economic sanctions, while some opportunists and profiteers made big embezzlement's by taking advantage of the economic conditions of the market. During the years 2012 and 2013, all Iranian people were after a big change in the political and economic ties between their country and the world and the election of President Dr Rouhani and his positive promises made the people more hopeful. Unfortunately, however, the families have received drastic blows and the Iranian family has sustained a big wound whose healing will take many years.
Hassan AKHONDPOOR
The 16th Tribeca Film Festival announced its award winners on Thursday, giving top honors to three features directed by women. Keep the Change for Best U.S. Narrative, Son of Sofia for Best International Narrative, and Bobbi Jene for Best Documentary. The Festival, presented by AT&T, runs through April 30, 2017.
You are very welcome to join our competition organised by the Animation Day in Cannes, produced by Animaze - Montreal International Animation Film Festival and filmfestivals.com
• Animation Day in Cannes includes a film competition (Animaze Daze in Cannes) into a series of events dedicated to promoting Animation during Cannes in front of the whole industrty. It is jointly organized by filmfestivals.com and Animaze Festival (Montreal International Animation Film Festival)
• It provides a lively meeting place dedicated to animation for discovery and fun networking
• A comprehensive catalogue of international long and short animation works presented and represented at Cannes
• A directory of animation professionals attending Cannes
• A promotional platform for recent films, projects in development on the site AnimationDayinCannes.com, filmfestivals.com and Youtube
• Ambiance from Animation Day in Cannes - ADIC
• Buyers/media channel on youtube featuring Showcase, demo reel, excerpts with password protection
• Increased visibility of Awards and Award Recall of winning films at large animation festivals the Animation That Matters Awards will be given to films with a strong message. This year 3 recipients will be selected.
• Benefit from press coverage of 5 000 medias and the presence of key players attending the international market (1MM transactions)
Check Animaze www.animazefestival.com
Check ADIC www.animationdayincannes.com
Check www.filmfestivals.com
Promotion with Animaze
A Selection in our competition will offer a free listing in The Animation Day in Cannes Listing of Who's who in Cannes. https://animationdayincannes.com/2017-edition/submit-to-our-catalog/
Selection offers a free inclusion in the Channel of Trailers from ADIC/
Selection offers a listing on Animation Day in Cannes blog http://www.filmfestivals.com/blog/animation_day_in_cannes
and promotion with a free ad in the weekly newsletter to 125 000 pro subscribers, distributed to all Cannes attendees.
visual 150 pixels wide, 75 words synopsis. and links. (promo valued 200€)
All films selected for screening at Animation Day in Cannes inherently allow us to screen
at a venue on or off Cannes for 2017 to promote and screen promotional trailers. We will build a promo trailer including sequences of the films selected (up to 20 seconds each )
While in Cannes REGISTER TO ANIMATION DAY IN CANNES EVENTS I RSVP TO ADIC DISCOVERIES SCREENING Palais B May 23 1:30 (Buyers and Media)
SUBMIT BY MAY 2 I JOIN THE CATALOG BY MAY12 I ENTER YOUR WINNING AWARDED ANIMATION IN BEST FROM FESTS BY MAY 12
Dear Filmmaker/Producer/Distributor,
we are pleased to announce that the Reggio Film Festival will return on 3-12 November 2017.
We remind you that the deadline for submissions to the 16th edition of Reggio Film Festival is May the 31st, 2017.
The competition is open to all filmmakers and includes the following sections:
- HEROES: short movies related to this theme, in all its possible meanings and suggestions;
- Family: short movies suitable for children and families.
- Laity: short movies related to the theme "Women and Laity".
- Open Category: short movies that are not related to the other themes.
Click here to register your short movie
Reggio Film Festival Team
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Yesterday I arrived late in the day to this beautiful town in one word lovely! Getting my barrings more to come stay tuned.
800 guests at the Gala ceremony hosted by festival founder Hunter Todd celebrating the 50th edition of the Festival, the oldest independent festival in North America
Dmitri de Clerck winner with You go to my Head enjoying his Houston time at the Yacht Club!
Call for low budget films
Cinema City International Film Festival invites filmmakers from all across the globe to apply for the Up to 10,000 Bucks selection. This selection is one of the most appealing festival programs which presents films made with no budget or with a budget of less than USD 10,000. Thanks to this authentic program, every year festival goers have a beautiful chance to enjoy unique low-budget auteur films from all over the world.
The Festival will take into consideration only films released in 2016 and 2017 with a budget of up to USD 10,000. All film genres are welcome. The call will be open until the 30th of May, and anyone wishing to apply can do so by filling out the form the following link: http://www.cinemacity.org/upto10000/
For the last nine years, the Up to 10,000 Bucks program has been offering a creative mosaic of diverse contemporary ideas, challenges and insights marked by the original expression of filmmakers from all around the world. The program presents feature films, documentaries, animated films, student and experimental films, all bound by the courageous venture of talented artists who are capable of creating a magnificent piece of art in spite of the lack of the financial assets.
The 10th edition of the Cinema City which is taking place in Serbia, city of Novi Sad, will offer to visitors a unique festival experience through carefully selected films of the newest production, made by young talents from all over the globe who are shaping the future of national and world cinema.
As I set up for my first day around Cannes my goal was to walk the three miles and just soak it all in. The boardwalk along the beach, see the store fronts and ending with a night time dinner at an amazing cafe! All that happened on my day one. See the set set of photos!
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